Hollywood loves a good story, and few have a better one than Michael J. Fox.
The charming Canadian child actor transitioned into adulthood as a box-office star miraculously untainted by scandal. He was blessed by a great marriage and family life. Then Fox’s golden-boy career seemingly was derailed much too soon by a diagnosis of Parkinson’s disease—only to be resurrected by award-winning guest roles and a return to starring in his own NBC sitcom.
The Michael J. Fox Show on NBC represents Fox’s first full-time TV gig since he left Spin City in 2001. Fox admits he had a little trepidation about coming back to the grind of carrying a TV series after his decade-long hiatus. “It’s funny. You want to go back, and the struggle I had is that you want to do the work and you want to do serious work, and you don’t want to be a novelty,” Fox says. “I think I avoided it by taking the work seriously and not cruising on any perceived goodwill.”
While the network hoped Fox’s return would be a ratings boon, the series has fought to find an audience. “This [is] a warm family show. That’s what he wanted to do. It’s inspired by his own life,” says NBC Entertainment President Jennifer Salke. “Somehow the alchemy of that night isn’t getting the show the audience we think it deserves.”
It’s been a long hard road for Michael J. Fox, but you’d never know it from chatting with him. In his suit jacket and jeans, he still looks younger than his years (he turns 53 in June), and while there are physical reminders of his disease, he’s able to control it most of the time with medication and a healthy lifestyle.
There’s a definite hitch in his gait and some slight shaking in his head and arms, but it’s not long before you cease noticing these frailties. He sheds his sunglasses despite the glaring light so he can make eye contact and quickly puts you at ease.
Fox’s strength comes from his upbringing and the kind of person he is, says TV producer Bill Lawrence, who created the 1996 comedy Spin City originally starring Fox as New York’s deputy mayor.
“He’s just a hero,” Lawrence says.
The producer’s grandfather also had Parkinson’s, so when Fox let people know he had the disease, Lawrence knew firsthand what his star was facing. “Watching Michael deal with that, and to be so professional and so giving, well, it lets you know that you don’t have a lot to [gripe] and moan about,” says Lawrence, who went on to create Scrubs, Cougar Town and Clone High. “It changed me as a guy, as a person. I was just 26, and to see this really changed me and the way I treated other people.”
Fox’s new show takes a decidedly personal direction. He plays a popular former news anchor returning to his job after stepping away when he was diagnosed with Parkinson’s.
The show centers on the family, reflecting much of Fox’s own personal life. “The way I look at Parkinson’s is that sometimes it’s frustrating and sometimes it’s funny,” he says. “I think we all get our own bag of hammers, our own personal Parkinson’s to deal with.”
It’s all a matter of perception. Fox says that when you have a disability, one of the things you deal with is the way other people perceive your experience by filtering it through their own fears—which may be worse than the reality.
“There’s nothing horrifying about Parkinson’s. It’s not Gothic nastiness, there’s nothing horrible about someone with a shaky hand,” Fox says. “That’s our reality. We have no control over it, but it’s not horrible.”
“It’s About Acceptance”
But that realization took awhile for Fox, who has made no secret of his battle with alcohol, which intensified following his diagnosis. He admits he spent seven years in denial before finally coming to terms with it and going on to establish the Michael J. Fox Foundation for Parkinson’s Research.
“Truthfully, with being able to cope with anything like this in your life, it’s about acceptance. It took me a long time to acknowledge the truth about my situation,” Fox says. “Accept that facts are facts and give yourself a lot of room to maneuver around. Once I did, there was room to do other things and be other things.”
Fox believes his first difficult obstacle in life was not establishing his career or even dealing with Parkinson’s. “If you want to know what first drove me, I think it’s really about always being small,” says the 5-foot-4 actor. “I had a desire to overcome that and get the most out of myself.”
Fox grew up in a loving and supportive family that settled in the Vancouver suburb of Burnaby. The son of a sergeant in the Canadian Army Signal Corps and an actress mom, he had three older siblings and one younger sister. One of his first loves was hockey. He even wanted to pursue a career as a professional hockey player but soon realized that wasn’t going to happen, although he still plays in “beer league” games with pals like Denis Leary.
Breakthrough Role at 15
Acting was another passion, and Fox was just 15 when he landed a role on the Canadian Broadcasting Corp. sitcom Leo and Me.
Oddly enough, there were four members of the cast and crew who developed Parkinson’s disease. That led to an investigation in 2002 as to whether some environmental factor played a role. But during a September 2013 interview with Howard Stern, Fox told the radio host, “Believe it or not, from a scientific point of view, that’s not significant.”
Fox wanted to pursue acting full time, so he quit high school before his graduation and moved to Los Angeles. He quickly garnered some success with roles in Family and Lou Grant. When he landed the plum co-starring role in the promising series Palmerstown, U.S.A. from Norman Lear and Alex Haley, he figured it was all high times and clear skies. But like any number of good television shows boasting strong pedigrees, it fizzled on the air.
The young actor quickly burned through his money, thinking his early success meant a virtual fountain of cash would continue to flow. It did not.
By the time he auditioned for the role of conservative Alex P. Keaton on Family Ties, he didn’t even have access to a phone. The oft-told story of his big break details how he told producers to call him between 4 and 5 o’clock at a certain number because that was the only time he would be at home. The number was for a phone booth. The producers called, and Fox used the pay phone to seal the deal.
His personal life was going well, too. Fox and wife Tracy Pollan, who played his love interest on Family Ties , had started a family. They already had a son, Sam, at the time of Michael’s diagnosis at age 30.
It Began With a Twitch
Fox was working on the 1991 film Doc Hollywood when he noticed a twitch in his left little finger, he told People magazine. His doctor gave him about a decade before the progressive degenerative disease would prevent Fox from working. His last major film role was The Frighteners in 1996.
While continuing to do guest-star appearances and some voiceover work for feature films, including the Stuart Little franchise, Fox’s exit from full-time acting gave him considerably more time with his family. Twins Aquinnah and Schuyler were born in 1995, six years after big brother Sam; daughter Esme came along in 2001.
“They were the focus of my attention, and it was beautiful. It was so great,” says Fox. “For them it may have been a different experience.”
Actually, the kids easily adapted to their father’s disease. If Fox can’t open a jar, he hands it over to one of the children to open and hand back to him. They know that there are some things he can’t do one day, like opening a jar, but can do perfectly well the next.
“They have learned not to count on everything being the same and to react to subtle changes. They have learned resiliency,” Fox says. “This never took up more space than it needed. If you ask my kids to describe me, they would say, ‘wears hats funny,’ and the last thing they would think of would be Parkinson’s.”
In addition to his family life and guest-star appearances, Fox wrote three books and established a thriving nonprofit.
Keeping Himself Out There
Lawrence cast him in a two-episode arc on Scrubs in 2004 as a doctor with obsessive-compulsive disorder. He followed that with guest-star roles on Boston Legal, which earned him an Emmy nod, as well as an Emmy award-winning appearance on Rescue Me and a recurring guest part on The Good Wife.
Fox’s work prevented him from becoming forgotten in a business where you’re only as good as your last role.
“I kept being reminded of how good he is and how beloved he is as an actor,” says NBC Chairman of Entertainment Robert Greenblatt. “I don’t presume to know what he goes through on a daily basis with this illness, but he’s been up to the task as the star of this show.”
Fox used his guest shots to keep his acting muscles from atrophying, but he also spent his hiatus building up his physical and mental state.
“I just rested. I spent that time with my family during their really formative years,” Fox says. “[I] messed with pills and new medications that help me deal with dyskinesia and some other things I was struggling with earlier that I don’t have as much now.”
And Fox credits his fans and supporters for his ability to do all he does.
“I just want people to accept what I do and allow me to be an activist, an advocate and an actor at the same time,” Fox says. “Celebrity doesn’t belong to me; I don’t own my celebrity. You do. Because if you don’t give a [darn], then I don’t have it. Everything is just a privilege.”